Biographical films are another cheap cash grab by Hollywood to create unoriginal movies while tarnishing our historical heroes.
It’s undeniable that superhero movies have been one of the most culturally influential genres of the decade. This is because they provide a simplistic narrative on good versus evil that we can all enjoy. They exhibit the best special effects to date and have a splash of comedy for added charm – this makes them universal movies that both little children and dying boomers can enjoy.
However, the problem with these superhero movies is that it’s enabled lazy writers to abduct stories that are not their own. Rather than write original characters with original ideas, it’s become the standard to just thieve and rebrand the fictional comic stories of the past.
So now the trend of superheros is coming to an end, these unoriginal writers must turn to another genre to lazily rape and pillage. Instead of using fictional heroes of the past, they have turned to replicating the stories of our actual heroes. For it is so much easier to just reformat the Wikipedia bio of these characters into a script, than it is to write an entirely original story.
Consider you look at the top grossing movies of the past few years. You will realize it’s almost entirely made up of superhero movies, sequels, prequels, re-masters and biographical films. None of these movies are original and it’s kind of depressing to realize this.
Elvis was the biopic of 2022 that made it into the top twenty grossing films. It made the official king of America into a sad depressing figure that was being forced to make music for his fat, evil and allegedly Jewish manager.
Oppenheimer was the third biggest movie of 2023 and it was utterly garbage. It was longwinded, boring and used his legal conflict to position him as some sort of hero against Lewis Strauss and the American government. Newsflash people: the man that murdered hundreds of thousands of Japanese on behalf of the government was not some sort of rebel, he was a bootlicker.
Biopic movies for this year include Bob Marley, Amy Winehouse and a handful of other degenerates that we are expected to praise. A lot of these are already being listed as the top new releases and I can guarantee that they will make it into the top twenty grossing films.
I suppose it’s really all of our faults that we rewarded unoriginal ideas. I have a few theories on why this has probably occurred. The first is that we have lost all sense of adventure as a society and so we just rehash previous experiences. The second is that the people making these movies are soulless idiots working for satan. And the third is that our educational institutions have completely obsessed over the conceptual aspects of art and therefore we have not properly learned how to create.
The era of unoriginality will probably come to an end at some point, but it’s likely to take a societal change to subsequently transform these movies.
